It earned four Golden Globe nominations, for: Best Picture; Best Actor, David Oyelowo as Dr. Martin Luther King Jr.; Best Director, Ava DuVernay; and won Best Original Song, “Glory” by John Legend and Common. And it is certain to be a contender for multiple Academy Awards as well.
Selma is an exceptionally well crafted depiction of the last successful campaign in the career of the most charismatic and possibly most misunderstood leader of the 20th Century Civil Rights Movement. It takes its greatness from portraying the tension caused by blood in the streets of Alabama in the mid-1960s brought on by violent, White-racist, legal and extra-legal resistance to the legitimate demands for the right to vote by Blacks in the South, and from the political push and pull generated from the teeming grassroots represented by Dr. King, all the way to the desk of President Lyndon B. Johnson.
The movie tells the story of three months in Selma, Ala., in early 1965 when Dr. King was mobilizing for the fight for voting rights. The bloody, one-sided “beat-downs” of peaceful, unarmed, non-violent protestors by vicious police, some on horseback, some with dogs, with tear gas, with billy clubs and other weapons, provokes a painful reaction to the scenes of the injustice and reminds moviegoers of the public moral outrage in 1965 which became massive public support for the passage of the Voting Rights Act by Congress later that year.
And while a great deal of “artistic license” is taken with the presentation of, or the exclusion of important Black figures in the voting rights struggle—Fannie Lou Hamer, Stokely Carmichael, Ella Baker, Floyd McKissick, among others—it is President Johnson’s screen role in the infamous Selma marches which has garnered the loudest rebuke.
Historians and former Johnson administration officials have insisted that the film is flat-out wrong in the way Mr. Johnson is shown, as an opponent of the Selma voting rights marches, when in fact the march was his idea, his former aides insist.
In the film, one dramatic climax occurs when Dr. King scolds the reluctant and tough-talking president, about the immediate need for federal voting rights legislation, all the while with a portrait of George Washington looking on in the background. [Read more]